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EDMONTON, ALBERTA – The top stories about Canadian TV these days are mostly about local dramas like ABC’s Motive and Syfy’s Continuum sold into the U.S. market for rookie or returning seasons.
That doesn’t surprise Steven Cree Molison, a co-star on Blackstone, the Canadian crime drama about power and politics on a native Indian reserve shooting in and around Edmonton.
“When does it become a Canadian show? We’re just an aboriginal drama on APTN,” he asks.
Molison’s question is rhetorical, and revealing.
“If they sell it (Blackstone) into the U.S., it will be a Canadian show. Once it goes down there, the stock will go up here,” he adds.
It turns out a U.S. sale of a drama based around the exploits of a reservation crime family is near at hand.
“We are in active discussions with a cable network,” says Ritch Colbert, a principal of PPI Releasing, the Los Angeles-based distributor that started shopping Blackstone stateside after a third season got the drama to 23 episodes.
Colbert adds that the cult drama about a fictional Blackstone First Nation reserve rife with political corruption and economic inequality will hit home with Americans struggling financially and disillusioned with their ruling class.
“This is as good as TV gets. It covers every aspect of modern U.S. culture in glaring details, whether corruption, teenage pregnancy, domestic violence,” Colbert said.
Blackstone deliberately draws a parallel between the mafia in the wider Canadian society and the First Nation reserve’s often corrupt chiefs and councils.
“If you take the life cycle of a reservation and put it right besides the outside world, you’ll see the same dynamic. We learn from the masters,’ said Eric Shweig, who plays Andy Fraser, the Blackstone chief-turned-gangster besieged by inner demons.
The Canadian drama, which faces head-on First Nation issues like alcoholism, drug abuse and interracial romance, opens with a charming yet intimidating Andy Fraser pushed from office by a reforming chief from the city, played by Carmen Moore.
“There’s a lot of people who don’t want us to talk about this stuff. The people who have a problem have problems with this getting out,” Moore insisted.
The significance of a U.S. sale extends far beyond fulfilling a need by Canadians for approval and recognition of their homegrown TV by Americans.
For Blackstone executive producer, director and writer Ron E. Scott, the American deal will bring additional international broadcasters on board for an organized crime drama that does for First Nation reserves what The Sopranos did for New Jersey.
“It’s interesting how Canada needs the affirmation of the U.S. On TV, it’s a sense that if it’s good enough for the Americans, it’s a good show,” Scott argued.
“Also, if it will sell to the U.S., that sale will spur additional international broadcast deals,” he added.
“For a lot of people, Blackstone will be a real eye-opener. There’s some great First Nation actors, and it’s a compelling drama on part with anything else on TV,” said Chalk, who plays Lieutenant Hillis, a bent cop looking to help chief Fraser beat a murder rap.
Cassini, who plays a straight arrow cop in a crooked world looking to solve the murder of a stripper, said the hyper-realism of Blackstone is what touches viewers.
“That goes to the writing. This could be anywhere. This could be in Baltimore or Cincinnati,” he said.
Prairie Dog Film + Television’s Blackstone is produced by Jesse Szymanski and writer/producer Damon Vignale.
The ensemble cast includes Gemini-awarding winning Michelle Thrush, Nathaniel Arcand, Andrea Menard and Tantoo Cardinal.
The third season of Blackstone will debut on APTN in fall 2013.
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