
- Share this article on Facebook
- Share this article on Twitter
- Share this article on Flipboard
- Share this article on Email
- Show additional share options
- Share this article on Linkedin
- Share this article on Pinit
- Share this article on Reddit
- Share this article on Tumblr
- Share this article on Whatsapp
- Share this article on Print
- Share this article on Comment
Joshua Jackson’s wardrobe fitting for his role in Hulu’s Little Fires Everywhere must’ve been brief. “The first couple of days were spent in my underwear,” the 41-year-old actor tells THR of his initial scenes with Reese Witherspoon, whom he’d first worked with while making 1999’s Cruel Intentions. “Thank God we have known each other for as long as we have.”
The series, based on Celeste Ng’s best-selling novel, stars Kerry Washington (who, like Witherspoon, is producing) as a single mom who moves to an affluent Ohio suburb and gets entangled with Jackson and Witherspoon’s seemingly picture-perfect family.
Related Stories
“The show is set in the ’90s with people who are in their 40s, so it’s not cute. My [pair] were not sexy,” explains the actor, who is receiving glowing reviews for his work in Ava DuVernay’s Netflix miniseries When They See Us. “The [particular scene] is an exposed place for the man and the woman — particularly for the woman — so [Reese and I] talked a lot about comfort levels and how she saw the scene playing out. Because we have known each other for quite some time, the barriers for that communication were already down.”
Speaking of barriers, Jackson praised DuVernay for cementing her place in an elite class. “I could count on less than the fingers on one hand the kind of director she is compared to the ones I’ve come across. In the fancy French version of it, she’s a true auteur,” he explains. “Working at a global elite level of which there are, at any given time, 10 or 15 on the planet who have the wherewithal that she has.”
He calls working on the story of the Exonerated Five with her at the helm “a phenomenal moment in an actor’s life” because of the trust she gave to her artists. “To be invited into this story and trusted with the responsibility of my brick in this particular wall and to see how this force of a woman operates and navigates space and the space she creates for everyone else to be able to create — it was extremely inspirational.”
A version of this story first appeared in the July 10 issue of The Hollywood Reporter magazine. To receive the magazine, click here to subscribe.
THR Newsletters
Sign up for THR news straight to your inbox every day