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Two casting directors pled no contest on Oct. 3 to misdemeanor violations of the Krekorian Talent Scam Prevention Act as the Los Angeles City Attorney’s Office continues broad prosecution efforts in a pay-to-play audition scandal that has rocked the local acting community.
Scott David publicly parted ways with CBS’ Criminal Minds and the workshop company he co-owned, The Actor’s Link (since rebranded ACE Studios) in April 2016, shortly after The Hollywood Reporter had published an investigation into the then-pervasive practice. Facing multiple counts, he agreed in his plea to terms that included a 36-month probation and 125 hours of community service.
Ricki Maslar, who specializes in low-budget films (2013’s Hansel & Gretel Get Baked, 2015’s Secrets of a Psychopath), was a steady teacher at one of the most high-profile “casting workshop” companies in the city, The Actor’s Key. Faced with one count, she agreed to 60 hours of community service as well as volunteering to instruct at 10 free casting seminars, potentially at the SAG-AFTRA Foundation. (If Maslar completes all of this by next August, she may move to withdraw her plea.)
“I am pleased we’ve been able to achieve just results in these cases,” said L.A. City Attorney Mike Feuer. “Most important, we’re working to protect aspiring actors from being scammed in the first place so their dreams don’t become nightmares.”
Both agreed not to “annoy, harass, threaten or molest anyone involved in this case,” although only David’s terms explicitly specified he “stay away and have no contact with actor James Runcorn and Stephen Salamunovich,” the former a previously speculated confidential informant in the cases and the latter a fellow casting director who has been outspoken in his criticism about pay-to-play auditions.
“Going to trial is stressful; it’s time-consuming, it’s risky,” said David’s attorney, Mark Werksman. “When all you have to do is some community service — which Scott does anyway — and you can put it behind you, it seemed to make sense.” Separately, he contended that “the ‘stayaway‘ order is common and routine and does not have anything to do with Scott posing a danger to either of the named witnesses. He has had no contact with either of them and wouldn’t.”
Neither Runcorn nor Salamunovich would comment on the matter.
Alan Eisner, Maslar’s lawyer, noted in a lengthy statement that while Maslar “appreciates this opportunity to keep her record clean and move on with her life,” she would have been exonerated if she’d continued her court fight and only declined to do so for lack of resources and energy. He added, “While this law may have the desired intent of protecting certain aspiring actors from predatory practices of the management sector of the entertainment community, it is being applied arbitrary in this case, to prosecute persons and agencies that host productive, lawful, educational workshops that benefit many.”
Feuer filed charges against five prominent casting firms and 25 individuals on Feb. 9. That day, the general counsel for SAG-AFTRA, Duncan Crabtree-Ireland, said, “We’re extraordinarily pleased with the action that was taken to handle this problem. These workshops prey on the hopes and dreams of people that want to work in this industry.” He added, “These people’s dreams were taken advantage of. These are not people of means. These are people barely getting by. So just to be considered for a job, it’s a real abuse.”
The first plea deal was announced this past June, when Bradley Sachs, owner of Actors Alley, pled no contest to one of the three misdemeanor counts with which he had been charged.
Cases against the remaining defendants are ongoing in downtown L.A. A trial against the former owners of The Actor’s Key, along with other casting directors who taught there, is set for Oct. 23.
A statistical comparison by THR found a 46 percent year-over-year decrease in the number of casting workshops offered during the same monthlong period between the beginning of 2016 (prior to THR‘s initial report) and 2017, just before Feuer announced the indictments.
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